Karin van Pinxteren is the pivot within the exhibition ‘Encounter 2’, for which she invited Henk Olijve and Roland Schimmel. During the preparatory phase they began an intensive dialogue, resulting in a dynamic exhibition of shifting encounters and fluctuations. The first edition of the exhibition, with Henk Olijve, is centred around action. Being busy, waiting, thinking and the perception of traces has lead to an epic structure in the exhibition. In the second edition, with Roland Schimmel, a spatial experience is conjured up that demands the immediate attention. The characters in action have disappeared. The only ones present are the visitors themselves, becoming a physical part of the works. Karin van Pinxteren creates a piece that continues to transform throughout the exhibition period. The dynamic of the collaboration between the three artists bleeds through into the exhibition space.
Karin van Pinxteren
In her work Karin van Pinxteren investigates the physical oppositions between ‘proximity’ and ‘distance’, as well as the psychological field of tension between ‘approach’ and ‘detachment’. In this she employs a range of disciplines. Van Pinxteren’s performances, for example, revolve around a woman who plays a ceremonial role. Her two- and three-dimensional work often takes the shape of large installations, such as the ‘Existential Interiors’ which provide impressions of the spaces in which they are shown. Her work is a sequence of notes on the known and the unknown, on attempts to communicate and articulate questions about art.
At De Ketelfactory Henk Olijve is producing a mural that he will change and expand on every week with new elements. He wishes to keep on providing the viewer with new stimuli. The work will generate more questions than it answers. In his paintings identical characters (both of them being Olijve himself) carry out a specific act in a concentrated manner. Although the act does not seem to take place at fixed intervals, it does continue and become cyclical. The situation in which the characters find themselves is a central focus.
Roland Schimmel aims to create a visual ‘short circuit’. He manipulates perception on the level of its unconscious reflexes. The afterimage and its effects, thus observation as a dynamic process, can be considered his main focus. When the image and (painted) afterimage are simultaneously compressed in opposition to the organic process of observation, pressure continues to mount. Reality and illusion seem to be projected interactively onto the canvas by the eye. This occurrence gives rise to an exciting sense of powerlessness. Specially for De Ketelfactory, Schimmel has created ‘Black Sun’, a mural onto which a video animation is projected. A large white wall has been magically transformed into a moving, three-dimensional image.
distillation ‘In the wings of the universe’
Date: 8 November 2009
In collaboration with: Karin van Pinxteren, prof. dr. Harm Habing, Alex de Vries and ds. Jessa van der Vaart
Karin van Pinxteren. In the wings of the universe
‘As an artist I think in images, but I cannot conjure up an image to accompany the thought of the universe as a finite space. Although I contemplate the universe photographically, I cannot create anything physical. I think in terms of space, which is why my fascination lies mostly with the question of where and how space ends.’ Karin van Pinxteren speaks on the powerless relationship man has to the universe and the imagination that this unlocks in the artist.
Prof. dr. Harm Habing. Scientific research, too, is art
‘The now known size of the universe has become an unfathomable space in which, aside from the presence of the galaxy, there is a temperature of absolute zero. From the earth, we can see that universe at night. The disappearance of daylight makes the personal space smaller, but the space of the universe larger. We can no longer see what’s close by, but we can see much more in the distance. Through the ages, art and science have depicted visions and findings, as religious models, as scientific models, as narrative models.’ Astronomer prof. dr. Harm Habing speaks on the influence of worldview and profession on our imagination of the universe.
Alex de Vries. Hope, faith and love
‘Science and faith are about the same thing: that which we don’t know. Science approaches this unknown territory rationally through the gathering of knowledge, which is then comparatively studied through versatile experiments, and methodically filed. Faith cannot be proven. “Truth” in religion is as inadvertent as the giants we mention in the same breath in art: the beautiful and the good.’ Writer, advisor and publisher Alex de Vries speaks on the purpose of life.
Ds. Jessa van der Vaart. Heaven and earth
‘When we think about the universe, the Bible says: “heaven and earth”. Undoubtedly, the Bible-writers, when using the word “heaven” were implying the space above our heads. But that’s not all. Heaven is mostly an image, a symbol for the obscurity of God. He is hidden from the human eye.’ Theologist and preacher Jessa van der Vaart speaks on our image of God and heaven.
‘Encounter 2’ is accompanied by three publications, ‘Karin van Pinxteren’, ‘Henk Olijve’ (in Dutch) and ‘Roland Schimmel’. From the opening words by Winnie Teschmacher:
About Karin van Pinxteren: “De Ketelfactory has been transformed into a spacious podium, governed by connection and seclusion, Van Pinxteren’s themes. This total artist’s passion has shone through in the collaboration towards a fascinating Distillation. You will find the echoes of the roads travelled in this publication.”
order (Karin van Pinxteren)
order (Roland Schimmel)